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Orpheum Theatre, planned Holocaust museum trying to work out way to let theatre continue to use the alley that is its main entrance

Earlier this month, the operator of the Orpheum Theatre, which opened in 1852, sued the foundation now building a Holocaust museum at the corner of Tremont Street and Hamilton Place - the alley that leads to the Orpheum's main entrance - for the right to continue blocking the ally on performance nights for use by entertainers' equipment trucks and patrons waiting to go inside.

However, both Orpheum operator Crossroads Presents and the Holocaust Legacy Foundation yesterday asked a Massachusetts Land Court judge to postpone a hearing on the case scheduled for today because "the parties are currently discussing a possible resolution of this dispute." Judge Kevin Smith agreed and rescheduled the hearing for next Wednesday.

In its suit, Crossroads Presents, which runs 40 to 50 performances a year at the historic theater, said it would be forced out of business if the foundation insisted on preventing it from taking over the alley, which is basically its main entrance. Today's hearing would have been on its request for a preliminary injunction to order the foundation to remove the construction equipment now being stored in the alley.

Crossroads acknowledges it never got a formal, written agreement from either the foundation or the company the foundation bought the site from in 2022 to basically take over the alley on performance nights. But Crossroads says it's been doing that for more than 30 years, long enough to establish a legal right to keep on doing that, and that a 2018 Massachusetts Appeals Court decision noted that the company that sold the museum building to the company that sold it to the foundation did give the theater permission to use the alley to park "tour buses, vans and trucks" on its side of the alley, between 1979 and 2007.

In its suit, Crossroads says:

If the Foundation impedes the ability of the Orpheum Theatre to use Hamilton Place on Event Days, by leaving equipment on Hamilton Place or otherwise, in accordance with its apparent claim that the Orpheum Theatre and its invitees have no right to utilize the Western Portion of Hamilton Place, the Orpheum Theatre will go out of business. The Orpheum Theatre can't operate without performers, their equipment and patrons traveling over the Western Portion of Hamilton Place as they have for many decades.

The theater operator says that since 1994, on days of performances it has been blocking off Hamilton Place so that large trucks can load and unload equipment, which includes the part of the alley right in front of the museum, and that since 1999, it has specifically used barricades and security personnel to ensure the only vehicles entering the space are either servicing the theater or heading out of a Suffolk University garage - and that when the garage closes for the day, the barricades are move almost right up to Tremont Street.

The foundation, whose lawyers include former City Councilor Mike Ross - the son of a Holocaust survivor - has yet to file a written response to the suit.

Complete Orpheum complaint (1.6M PDF).

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Comments

Aw, hell nah. Work this shit out tout de suite! It’s the fucking Orpheum. The people need concert venues that aren’t friggin’ casinos. That is a living cultural landmark.

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Voting closed 77

"I'm not even supposed to be here today!"

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Voting closed 29

Sure it wasn't the clerk? [Rimshot]

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How did people and stuff get into the theater in 1952? 1926? 1861? It's kind of landlocked. Was there once access from Washington Street?

Is the issue allowing the theater's people and trucks into the alley, or the theater blocking access for non-theater people on performance nights? Is it possible to allow the former but not the latter?

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Many years ago I paid some guys to sneak up some marble stairs into the old entrance, which was being used as a fire escape route. The next year they had built a shoe store in that space.

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Voting closed 36

Has a back entrance down an alley off of Bromfield Street.

That alley can be used for deliveries, but the buses and trucks cannot go up Bromfield Street, because it is not wide enough to have the bus there and let traffic through. Buses and trucks cannot go down the Bromfield Street alley because they cannot make the turn into it.

That's why Hamilton Place, which is private, not public, is used by the buses and trucks for the artists.

There was a show at the Orpheum last Sunday night and the patron line stretched around the corner past Suffolk Law to Bromfield. Those patrons should not have to worry about crowd safety, especially with Tremont now being two car lanes and tour buses pointing out dead people at the Granary.

The alley is also a good way to sneak out post show to another car and not have to go through the crowd to get to their bus. Hence sometime in the late 90's I got Declan Patrick McManus's autograph.

The Holocaust Museum can cool their jets and let the buses and trucks down Hamilton Place.

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Voting closed 38

Hence sometime in the late 90's I got Declan Patrick McManus's autograph.

Was there an announcement that he had left the building?

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International art thief Declan McManus?

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I caught him there when he was cruel - I think, maybe before and got his other autograph at the Garage in Harvard Sq. before he had an episode of blonde on the waterfront. Oh, to have seen him play his earlier stuff.

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I remember when the entrance on Washington Street was in use in the 1960s and1970s. The marquis is still there if you look. But it's a later marquis, not the grand original one I remember. Even when the entrance was moved to Tremont, the Washington Street marquis would still have the name of whoever was playing there. The Washington Street entrance even had one of those stand alone ticket booths like old theaters in old movies, but even when I was young it was not in use. I also remember the brief period of time in the early 1970s when the Orpheum-in an attempt at hipness- was renamed the Aquarius.

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When I heard renovation work was at the center of this I knew right away it was not the Orpheum doing the work. They haven't spent five dollars on that place since it opened.

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And TBH where else would the construction equipment go for the Holocaust Museum while it's being built?

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